Lezioni americane - Italo Calvino Recensione del libro di Italo Calvino Lezioni americane con trama dettagliata in cui viene presentata la storia. Nelle Lezioni americane, Calvino muove dal romanzo contemporaneo «come metodo di conoscenza, e soprattutto come rete di connessione tra i fatti, tra le persone, tra le cose del mondo». Law Office Designs, Law Offices, Law See more ideas about Office designs, Office ideas and Law office design.
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ezione 1. Leggerezza/Lightness
Publio Ovidio Nasone, 'Metamorfosi' (8 a.C.)
Eugenio Montale, 'La bufera e altro' (1956) *
Milan Kundera, 'L'insostenibile leggerezza dell'essere' (1984)
Tito Lucrezio Caro, 'De rerum natura' (I sec. a.C.)
Giovanni Boccaccio, 'Decameron' (1348-53) *
Guido Cavalcanti, 'Rime' (fine XIV secolo)
Dante Alighieri, 'Divina commedia (1304-21) *
Emily Dickison, 'Tutte le poesie' (metà XIX secolo)
Henry James, 'La bestia nella giungla' (1903)
Miguel de Cervantes Saavedra, 'Don Chisciotte della Mancia' (1605)
William Shakespeare, 'Romeo e Giulietta' (1594-96)
Raymond Klibansky, Erwin Panofsky, Fritz Saxl, 'Saturno e la melanconia. Studi su storia della filosofia naturale, medicina, religione e arte' (1964)
William Shakespeare, 'Come vi piace' (1599-1600)
Savinien Cyrano de Bergerac, 'L'altro mondo o Gli stati e gli imperi della luna' (1657)
Jonathan Swift, 'I viaggi di Gulliver' (1726)
Voltaire, 'Micromega' (1752)
Gottfried August Bürger, Rudolf Erich Raspe, 'Le meravigliose avventure del barone di Münchhausen' (1781)
'Le mille e una notte' (X secolo) *
Giacomo Leopardi, 'Storia dell'astronomia' (1813)
Giacomo Leopardi, 'Canti' (1831)
Vladimir Yakovlevich Propp, 'Morfologia della fiaba' (1928)
Franz Kafka, 'Il cavaliere del secchio' (1917)
Jules Barbey d'Aurevilly, 'Œuvres romanesques complètes', a cura di Jacques Petit (1964-1966)
Miguel de Cervantes Saavedra, 'Don Chisciotte della Mancia' (1605)
Daniel Defoe, 'Robinson Crusoe' (1719)
Francesco Petrarca, 'Familiarium rerum libri' (1325-61)
Italo Calvino, 'Fiabe italiane' (1956)
Charles Perrault, 'I racconti di mamma l'Oca' (1680)
'Le mille e una notte' (X secolo) *
Washington Irving, 'Rip Van Winkle' (1819)
Giovanni Boccaccio, 'Decameron' (1348-53) *
Thomas de Quincey, 'Il postale inglese' (1849)
Giacomo Leopardi, 'Zibaldone' (1817-32) *
Galileo Galilei, 'Il Saggiatore' (1623)
Galileo Galilei, 'Dialogo sopra i due massimi sistemi del mondo' (1632)
Laurence Sterne, 'La vita e le opinioni di Tristram Shandy, gentiluomo' (1760-67)
Italo Calvino, 'Tutte le Cosmicomiche' (1997), comprende 'Le cosmicomiche' (1964), 'Ti con zero' (1967), 'La memoria del mondo e altre storie cosmicomiche' (1968) e 'Cosmicomiche vecchie e nuove' (1984) *
Italo Calvino, 'Le città invisibili' (1972) *
Italo Calvino, 'Palomar' (1983) *
Giacomo Leopardi, 'Operette morali' (1835)
Walt Whitman, 'Giorni rappresentativi' (1882)
Heny Michaux, 'Un certo Piuma' (1938)
Jorge Luis Borges, 'Finzioni' (1944) *
Jorge Luis Borges e Adolfo Bioy Casares, 'Racconti brevi e straordinari' (1955)
Augusto Monterroso, 'Opere complete (e altri racconti)' (1959)
Paul Valéry, 'Monsieur Teste' (1946) *
André Virel, 'Histoire de notre image' (1965)
Giacomo Leopardi, 'Zibaldone' (1817-32) *
Giacomo Leopardi, 'Canti' (1835)
Robert Musil, 'L'uomo senza qualità' (1930-42) *
Paul Valéry, 'Monsieur Teste' (1946) *
Paul Valéry, 'Varietà' (1924-44)
Paolo Zellini, 'Breve storia dell'infinito' (1980)
Massimo Piattelli Palmarini (a cura di), 'Linguaggio e apprendimento: il dibattito tra Jean Piaget e Noam Chomsky' (1980)
Italo Calvino, 'Le città invisibili' (1972) *
Italo Calvino, 'Palomar' (1983) *
Eugenio Montale, 'La bufera e altro' (1956) *
Francis Ponge, 'Il partito preso delle cose' (1942)
Leonardo da vinci, 'Il codice Atlantico' (1478-1519)
Dante Alighieri, 'Divina commedia (1304-21) *
Ignazio di Loyola, 'Esercizi spirituali' (1548)
Douglas Hofstadter, 'Gödel, Escher, Bach. Un'eterna ghirlanda brillante' (1979)
Jean Starobinski, 'La relation critique' (1970)
Italo Calvino, 'I nostri antenati' (1960), comprende 'Il visconte dimezzato' (1952), 'Il barone rampante' (1957), 'Il cavaliere inesistente' (1959).
Italo Calvino, 'Tutte le Cosmicomiche' (1997), riunisce 'Le cosmicomiche' (1964), 'Ti con zero' (1967), 'La memoria del mondo e altre storie cosmicomiche' (1968) e 'Cosmicomiche vecchie e nuove' (1984) *
Italo Calvino, 'Il castello dei destini incrociati' (1969) *
Honoré de Balzac, 'Il capolavoro sconosciuto' (1831)
Hubert Damisch, 'Fenêtre jaune cadmium ou les dessous de la peinture' (1984)
Carlo Emilio Gadda, 'Quer pasticciaccio brutto de via Merulana' (1957)
Gian Carlo Roscioni, 'La disarmonia prestabilita' (1975)
Robert Musil, 'L'uomo senza qualità' (1930-42) *
Carlo Emilio Gadda, 'La cognizione del dolore' (1963)
Hans Blumenberg, 'La leggibilità del mondo. Il libro come metafora della natura' (1981)
Gustave Flaubert, 'Bouvard e Pécuchet' (1881)
Raymond Queneau, 'Segni, cifre e lettere e altri saggi' (1981)
Thomas Mann, 'La montagna incantata' (1924)
Dante Alighieri, 'Divina commedia (1304-21) *
James Joyce, 'Ulisse' (1922)
James Joyce, 'La veglia di Finnegan' (1939)
Alfred Jarry, 'L'amore assoluto' (1899)
Paul Valery, 'Quaderni' (Prima metà XX secolo)
Jorge Luis Borges, 'Finzioni' (1944) *
Italo Calvino, 'Se una notte d'inverno un viaggiatore' (1979)
Italo Calvino, 'Il castello dei destini incrociati' (1969) *
Georges Perec, 'La vita, istruzioni per l'uso' (1978)
Georges Perec, 'Le cose, una storia degli anni sessanta' (1965)
Herman Melville, 'Bartleby lo scrivano' (1853)
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