| The Complete Commodore & Decca Masters | |
|---|---|
| Box set by | |
| Released | 2009 |
| Recorded | April 20, 1939 – March 8, 1950 |
| Genre | Vocal jazz |
| Length | ???? |
| Label | Hip-O Records Hip-O Select – BC013146-02 |
| Producer | Milt Gabler |
- Billie Holiday The Complete Commodore Recordings Rar File
- Billie Holiday The Complete Commodore Recordings Rar Online
- Billie Holiday The Complete Commodore Recordings Rar Collection
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [1] |
| All About Jazz | (favorable) [2] |
Billie Holiday (6) Billie Jo Spears (1) Billy 'Crash' Craddock (1) Billy Childish (2) Billy Fury (3) Billy Mo (1) Billy Ocean (1) Billy Sanders (1) Billy Walker (2) Bing Crosby (2) Bintangs (1) Birth Control (1) Bix Beiderbecke (1) Blackburn & Snow (1) Blackfoot (1) Blind Boy Fuller (2) Blind Faith (2) Blind Willie Johnson (1) Blossom Dearie (1) Bluegrass (2) Bluelight (6) Blues (156). AllMusic Review by Thom Jurek. Holiday was under contract to the label at the time, but Hammond loosed the reins a bit and allowed her the leeway to cut it for Commodore. There are two other sides cut in 1939, and the remainder of these tunes were taped during sessions in 1944 with Holiday backed by the Eddie Heywood Sextet.
Billie Holiday The Complete Commodore Recordings Rar File
The Complete Commodore & Decca Masters is a 3CD box set of recordings by Billie Holiday, released by Hip-O Records in 2009, compiling all the master takes released as 78rpm singles by Commodore and Decca Records. It includes an essay by Ashley Kahn.[3]
- 2Track listing
Content[edit]
In 1939, Columbia Records refused to let Billie Holiday record the anti-lynchingprotest song 'Strange Fruit'. Milt Gabler invited her to record it for his small specialty label Commodore Records, and Columbia granted her a one-time exemption from her contract to do so, in which she recorded four songs (material for two 78rpm records). 'Strange Fruit', backed with 'Fine and Mellow', turned out to be the biggest selling record of her career. Although she continued to record for Columbia, in 1944, following the musicians' strike recording ban, Holiday permanently left Columbia for Commodore. Small labels like Commodore had been quicker to settle with the musician's union than large labels like Columbia, thus Holiday was able to return to recording quicker by switching to the smaller label. The Commodore tracks were more dominated by torch songs and dramatic ballads than her swing oriented Columbia material had been, although her later Columbia sides (e.g. 'God Bless the Child') show she had already been evolving in this direction.
Later the same year, Holiday then followed Gabler to Decca Records, to record Lover Man. Decca had allowed Gabler to keep his own label, while also being employed by them, so long as he directed all potential hits to Decca. Both Holiday and Gabler suspected Lover Man had the potential to be a hit, thus it became her first Decca single, and indeed another of her biggest hits. Lover Man was notable for featuring a string section, and all her Decca tracks typically featured string arrangements and even choral backing, rather than jazz combos. Elna elnita zz manualidades videos. This was Holiday's choice, as strings were often used in the white pop records of the day, and when she recorded Lover Man she wanted the same sound offered to artists like Bing Crosby, and specifically her friend Frank Sinatra. During this same period, Holiday began performing in concert halls rather than nightclubs, and her live performances became more theatrical than jazz, with many of these dramatic songs becoming centrepieces of her set. Holiday continued to record for Decca throughout the 1940s, before again switching to Norman Granz's Clef label (later Verve) in the next decade.
The orchestras Holiday recorded with while at Commodore and Decca were variously led by Toots Camarata, Bob Haggart, Bill Stegmeyer, John Simmons, Buster Harding, Sy Oliver, and Gordon Jenkins.
Big Stuff was a Leonard Bernstein single, with Billie doing a new vocal to a song Bernstein had written as the prologue to his 1944 ballet Fancy Free. The b-side was another Bernstein song from the ballet, without Holiday: Fancy Free (Galop Variation And Finale) performed by the Ballet Theatre Orchestra Under Direction of Leonard Bernstein.
You Can't Lose A Broken Heart and My Sweet Hunk O' Trash were collaborations with Louis Armstrong.
Guilty was the only track not originally released as a 78rpm record, first appearing on the much later compilation LP The Blues Are Brewin' (Decca – DL 8701) in 1958.[4]
Track listing[edit]
Disc One: The Commodore Recordings[edit]
Billie Holiday The Complete Commodore Recordings Rar Online
| Track | Recorded | Catalogue | Released | Song Title | Writer(s) | Time |
|---|---|---|---|---|---|---|
| 1. | April 20, 1939 | Commodore 526-a | 1939 | Strange Fruit | Abel Meeropol | 3:12 |
| 2. | April 20, 1939 | Commodore 527-a | 1939 | Yesterdays | Jerome Kern, Otto Harbach | 3:24 |
| 3. | April 20, 1939 | Commodore 526-b | 1939 | Fine And Mellow | Billie Holiday | 3:16 |
| 4. | April 20, 1939 | Commodore 527-b | 1939 | I Gotta Right To Sing The Blues | Harold Arlen and Ted Koehler | 2:49 |
| 5. | March 25, 1944 | Commodore 569-b | 1944 | How Am I To Know | Jack King, Dorothy Parker | 2:43 |
| 6. | March 25, 1944 | Commodore 585-b | 1944 | My Old Flame | Sam Coslow, Arthur Johnston | 3:01 |
| 7. | March 25, 1944 | Commodore 553-b | 1944 | I'll Get By | Fred E. Ahlert and Roy Turk | 2:58 |
| 8. | March 25, 1944 | Commodore 559-a | 1944 | I Cover The Waterfront | Johnny Green, Edward Heyman | 3:29 |
| 9. | April 1, 1944 | Commodore 553-a | 1944 | I'll Be Seeing You | Sammy Fain and Irving Kahal | 3:30 |
| 10. | April 1, 1944 | Commodore 585-a | 1944 | I'm Yours | Johnny Green and Yip Harburg | 3:16 |
| 11. | April 1, 1944 | Commodore 7520-a | 1944 | Embraceable You | George Gershwin and Ira Gershwin | 3:15 |
| 12. | April 1, 1944 | Commodore 7520-b | 1944 | As Time Goes By | Herman Hupfeld | 3:10 |
| 13. | April 8, 1944 | Commodore 569-a | 1944 | He's Funny That Way | Richard Whiting, Neil Moret | 3:15 |
| 14. | April 8, 1944 | Commodore 559-b | 1944 | Lover Come Back To Me | Sigmund Romberg, Oscar Hammerstein II | 3:19 |
| 15. | April 8, 1944 | Commodore 7519-a | 1944 | I Love My Man (Billie's Blues) | Billie Holiday | 3:07 |
| 16. | April 8, 1944 | Commodore 7519-b | 1944 | On The Sunny Side Of The Street | Jimmy McHugh and Dorothy Fields | 3:01 |
Disc Two: The Decca Recordings[edit]
| Track | Recorded | Catalogue | Released | Song Title | Writer(s) | Time |
|---|---|---|---|---|---|---|
| 1. | October 4, 1944 | Decca – 23391a | 1945 | Lover Man | Jimmy Davis, Roger ('Ram') Ramirez, and James Sherman | 3:15 |
| 2. | October 4, 1944 | Decca – 23483a | 1946 | No More | Toots Camarata and Bob Russell | 2:45 |
| 3. | November 8, 1944 | Decca – 23391b | 1945 | That Ole Devil Called Love | Allan Roberts and Doris Fisher | 2:52 |
| 4. | August 14, 1945 | Decca – 23565a | 1946 | Don't Explain | Billie Holiday and Arthur Herzog Jr. | 3:20 |
| 5. | August 14, 1945 | Decca – 23483b | 1946 | You Better Go Now | Bickley Reichner and Robert Graham | 2:29 |
| 6. | August 14, 1945 | Decca – 23565b | 1946 | What Is This Thing Called Love | Cole Porter | 3:09 |
| 7. | January 22, 1946 | Decca – 23673a | 1946 | Good Morning Heartache | Irene Higginbotham, Ervin Drake, and Dan Fisher | 3:05 |
| 8. | January 22, 1946 | Decca – 23673b | 1946 | No Good Man | Irene Higginbotham, Dan Fisher, Sammy Gallop | 3:04 |
| 9. | March 13, 1946 | Decca – 23463a | 1946 | Big Stuff | Leonard Bernstein | 2:29 |
| 10. | April 9, 1946 | Decca – 23957a | 1946 | Baby, I Don't Cry Over You | Morton Krouse | 3:09 |
| 11. | April 9, 1946 | Decca – 23957b | 1946 | I'll Look Around | George Cory and Douglass Cross | 3:12 |
| 12. | December 27, 1946 | Decca – 48259a | 1951 | The Blues Are Brewin' | Eddie DeLange and Louis Alter | 3:02 |
| 13. | December 27, 1946 | (unreleased on 78?) | 1958 | Guilty | Richard Whiting, Harry Akst, and Gus Kahn | 3:11 |
| 14. | February 13, 1947 | Decca – 24138a | 1947 | Deep Song | George Cory and Douglass Cross | 3:10 |
| 15. | February 13, 1947 | Decca – 23853a | 1947 | There Is No Greater Love | Isham Jones, Marty Symes | 2:56 |
| 16. | February 13, 1947 | Decca – 24138b | 1947 | Easy Living | Ralph Rainger and Leo Robin | 3:10 |
| 17. | February 13, 1947 | Decca – 23853b | 1947 | Solitude | Duke Ellington, Eddie DeLange and Irving Mills | 3:07 |
| 18. | December 10, 1948 | Decca – 24551a | 1949 | Weep No More | Gordon Jenkins and Tom Adair | 3:19 |
| 19. | December 10, 1948 | Decca – 24551b | 1949 | Girls Were Made To Take Care Of Boys | Ralph Blane | 3:11 |
Disc Three: The Decca Recordings Continued[edit]
| Track | Recorded | Catalogue | Released | Song Title | Writer(s) | Time |
|---|---|---|---|---|---|---|
| 1. | December 10, 1948 | Decca – 24638a | 1949 | Porgy (I Love You) | George Gershwin and Ira Gershwin | 2:54 |
| 2. | December 10, 1948 | Decca – 24638b | 1949 | My Man | Jacques Charles, Channing Pollock, Albert Willemetz, and Maurice Yvain | 2:55 |
| 3. | August 17, 1949 | Decca – 24726a | 1949 | Ain't Nobody's Business If I Do | Porter Grainger and Everett Robbins | 3:19 |
| 4. | August 17, 1949 | Decca – 24726b | 1949 | Baby Get Lost | Leonard Feather and Billy Moore, Jr | 3:13 |
| 5. | August 29, 1949 | Decca – 27145a | 1950 | Keeps On A-Rainin' | Spencer Williams and Max Kortlander | 3:14 |
| 6. | August 29, 1949 | Decca – 27145b | 1950 | Them There Eyes | Maceo Pinkard, Doris Tauber and William Tracey | 2:49 |
| 7. | September 8, 1949 | Decca – 48259b | 1951 | Do Your Duty | Wesley 'Sox' Wilson | 3:14 |
| 8. | September 8, 1949 | Decca – 24947a | 1950 | Gimme A Pigfoot (And A Bottle Of Beer) | Wesley 'Sox' Wilson | 2:43 |
| 9. | September 30, 1949 | Decca – 24758a | 1949 | You Can't Lose A Broken Heart | James P. Johnson and Flournoy E. Miller | 3:13 |
| 10. | September 30, 1949 | Decca – 24758b | 1949 | My Sweet Hunk O' Trash | James P. Johnson and Flournoy E. Miller | 3:18 |
| 11. | September 30, 1949 | Decca – 24947b | 1950 | Now Or Never | Billie Holiday and Curtis Reginald Lewis | 3:15 |
| 12. | October 19, 1949 | Decca – 24796a | 1949 | You're My Thrill | Jay Gorney and Sidney Clare | 3:22 |
| 13. | October 19, 1949 | Decca – 24796b | 1949 | Crazy He Calls Me | Carl Sigman and Bob Russell | 3:02 |
| 14. | October 19, 1949 | Decca – 24857a | 1950 | Please Tell Me Now | Arnold Clawson and Toussaint Pope | 3:12 |
| 15. | October 19, 1949 | Decca – 24857b | 1950 | Somebody's On My Mind | Billie Holiday and Arthur Herzog Jr. | 2:55 |
| 16. | March 8, 1950 | Decca – 24972a | 1950 | God Bless The Child | Billie Holiday | 3:08 |
| 17. | March 8, 1950 | Decca – 24972b | 1950 | This Is Heaven To Me | Ernest Schweikert and Frank Reardon | 2:51 |
Billie Holiday's Commodore and Decca recordings have been compiled many times, beginning with 78rpm albums in the 1940s and then 10 inch vinyl LPs. Some compilations also include many alternate takes of the songs, but only the master takes originally released as 78rpm singles are included in this set.
Personnel[edit]
Contributing musicians, in chronological order.[5]
- Billie Holiday: vocals
- Frank Newton: trumpet (cd1 tracks 1–4)
- Tab Smith: soprano, alto sax (cd1 tracks 1–4)
- Kenneth Hollon: tenor sax (cd1 tracks 1–4)
- Stanley Payne: tenor sax (cd1 tracks 1–4)
- Sonny White: piano (cd1 tracks 1–4)
- Jimmy McLin: guitar (cd1 tracks 1–4)
- John Williams: bass (cd1 tracks 1–4)
- Eddie Dougherty: drums (cd1 tracks 1–4)
- Doc Cheatham: trumpet (cd1 tracks 5–12)
- Vic Dickenson: trombone (cd1 tracks 5–12)
- Lem Davis: alto sax (cd1 tracks 5–12, cd2 tracks 12–13)
- Eddie Heywood: piano, arranger (cd1 tracks 5–16)
- Teddy Walters: guitar (cd1 tracks 5–8)
- John Simmons: bass (cd1 tracks 5–16, cd2 tracks 7–8, 12–13), conductor (cd2 tracks 12–13)
- Sid Catlett: drums (cd1 tracks 5–16, cd2 tracks 7–8)
- Russ Case: trumpet (cd2 tracks 1–3)
- Jack Cressey: alto sax (cd2 tracks 1–3)
- Hymie Schertzer: alto sax (cd2 tracks 1–3)
- Larry Binyon: tenor sax (cd2 tracks 1–3)
- Paul Ricci: tenor sax (cd2 tracks 1–2)
- Dave Bowman: piano (cd2 tracks 1–3)
- Carl Kress: guitar (cd2 tracks 1–3)
- Haig Stephens: bass (cd2 tracks 1–3)
- Johnny Blowers: drums (cd2 tracks 1–2)
- Toots Camarata: conductor (cd2 tracks 1–3)
- Dave Harris: tenor saxophone (cd2 track 3)
- George Wettling: drums (cd2 track 3)
- Joe Guy: trumpet (cd2 tracks 4–11)
- Bill Stegmeyer: alto sax (cd2 tracks 4–8, 14–17), conductor (cd2 tracks 7–8), clarinet (cd2 tracks 14–17)
- Armand Camgros: tenor sax (cd2 tracks 4–8)
- Hank Ross: tenor saxophone (cd2 tracks 4–8, 14–17)
- Stan Webb: baritone sax (cd2 tracks 4–6)
- Sammy Benskin: piano (cd2 tracks 4–6)
- Tiny Grimes: guitar (cd2 tracks 4–9)
- Bob Haggart: bass, conductor (cd2 tracks 4–6, 14–17)
- Specs Powell: drums (cd2 tracks 4–6)
- Chris Griffin: trumpet (cd2 tracks 7–8)
- Bernard Kaufman: tenor sax (cd2 tracks 7–8)
- Joe Springer: piano (cd2 tracks 7–9)
- Billy Taylor: bass (cd2 track 9)
- Kelly Martin: drums(cd2 track 9)
- Billy Kyle: piano (cd2 tracks 10–11, cd3 tracks 9-11)
- Jimmy Shirley: guitar (cd2 tracks 10–11)
- Thomas Barney: bass (cd2 tracks 10–11)
- Kenny Clarke: drums (cd2 tracks 10–11)
- Rostelle Reese: trumpet (cd2 tracks 12–13)
- Bob Dorsey: tenor sax (cd2 tracks 12–13)
- Bobby Tucker: piano (cd2 tracks 12–19, cd3 tracks 1–2)
- Denzil Best: drums (cd2 tracks 12–13, 18–19, cd3 tracks 1–2)
- Billy Butterfield: trumpet (cd2 tracks 14–17)
- Al Klink: alto sax (cd2 tracks 14–17)
- Toots Mondello: alto sax (cd2 tracks 14–17)
- Art Drellinger: tenor sax (cd2 tracks 14–17, cd3 tracks 9-11)
- Dan Perry: guitar (cd2 tracks 14–17)
- Bunny Shawker: drums (cd2 tracks 14–17, cd3 tracks 12–15)
- Mundell Lowe: guitar (cd2 tracks 18–19, cd3 tracks 1–2)
- John Levy: bass (cd2 tracks 18–19, cd3 tracks 1–2)
- Emmett Berry: trumpet (cd3 tracks 3–4)
- Buck Clayton: trumpet (cd3 tracks 3–4, 7–8)
- Jimmy Nottingham: trumpet (cd3 tracks 3–4)
- George Matthews: trombone (cd3 tracks 3–4)
- Dicky Wells: trombone (cd3 tracks 3–4)
- George Dorsey: alto sax (cd3 tracks 3–8)
- Rudy Powell: alto sax (cd3 tracks 3–4)
- Joe Thomas: tenor sax (cd3 tracks 3–4)
- Lester Young: tenor sax (cd3 tracks 3–4)
- Sol Moore: baritone sax (cd3 tracks 3–4)
- Horace Henderson: piano (cd3 tracks 3–8)
- Mundell Lowe: guitar (cd3 tracks 3–4)
- George Duvivier: bass (cd3 tracks 3–6)
- Shadow Wilson: drums (cd3 tracks 3–4)
- Buster Harding: conductor (cd3 tracks 3–4)
- Tony Faso: trumpet (cd3 tracks 5–6)
- Bernie Privin: trumpet (cd3 tracks 5–6, 9–11))
- Dick Vance: trumpet (cd3 tracks 5–6)
- Mort Bullman: trombone (cd3 tracks 5–6)
- Henderson Chambers: trombone (cd3 tracks 5–8)
- Johnny Mince: alto sax (cd3 tracks 5–6, 9–11)
- Budd Johnson: tenor sax (cd3 tracks 5–8)
- Freddie Williams: tenor sax (cd3 tracks 5–8)
- Eddie Barefield: baritone saxophone, clarinet (cd3 tracks 5–6)
- Everett Barksdale: guitar (cd3 tracks 5–11)
- Cozy Cole: drums (cd3 tracks 5–6)
- Sy Oliver: conductor (cd3 tracks 5–11)
- Lester 'Shad' Collins: trumpet (cd3 tracks 7–8)
- Bobby Williams: trumpet (cd3 tracks 7–8)
- George Stevenson: trombone (cd3 tracks 7–8)
- Pete Clark: alto sax (cd3 tracks 7–8)
- Dave McRae: baritone sax (cd3 tracks 7–8)
- Joe Benjamin: bass (cd3 tracks 7–11)
- Wallace Bishop: drums (cd3 tracks 7–8)
- Sid Cooper: alto sax (cd3 tracks 9-11)
- Pat Nizza: tenor sax (cd3 tracks 9-11)
- Jimmy Crawford: drums (cd3 tracks 9-11)
- Louis Armstrong: vocals (cd3 tracks 9–10)
- Gordon Jenkins & His Orchestra: strings (cd3 tracks 12–17)
- Bobby Hackett: trumpet (cd3 tracks 12–15)
- Milt Yaner: clarinet, alto sax (cd3 tracks 12–15)
- John Fulton: clarinet, flute, tenor sax (cd3 tracks 12–15)
- Bernie Leighton: piano (cd3 tracks 12–15)
- Tony Mottola: guitar (cd3 tracks 12–15)
- Jack Lesberg: bass (cd3 tracks 12–15)
- Dick 'Dent' Eckles: flute, tenor sax (cd3 tracks 16–17)
- Charlie LaVere: piano (cd3 tracks 16–17)
- Bob Bain: guitar (cd3 tracks 16–17)
- Lou Butterman: bass (cd3 tracks 16–17)
- Nick Fatool: drums (cd3 tracks 16–17)
- Gordon Jenkins Singers: background vocals (cd3 tracks 16–17)
References[edit]
- ^The Complete Commodore & Decca Masters review at Allmusic, accessed March 22, 2016
- ^The Complete Commodore & Decca Masters review at All About Jazz, accessed March 22, 2016
- ^The Complete Commodore & Decca Masters, Discogs.com, accessed March 22, 2016
- ^The Blues Are Brewin', Discogs.com, accessed March 22, 2016
- ^Billie Holiday sessionography, at the Jazz Discography Project, accessed Feb 20, 2016
Billie Holiday
Label: Verve Music Group
Released: 2010
Views: 1,398
Track Listing
CD1: Strange Fruit; Yesterdays; Fine and Mellow; I Gotta Right to Sing the Blues; How Am I to Know; My Old Flame; I'll Get By; I Cover the Waterfront; I'll Be Seeing You; I'm Yours; Embraceable You; As Time Goes By; He's Funny That Way; Lover Come Back to Me; Billie's Blues; On the Sunny Side of the Street. CD2: Lover Man; No More; That Old Devil Called Love; Don't Explain; You Better Go Now; What Is This Thing Called Love; Good Morning Heartache; No Good Man; Big Stuff; Baby, I Don't Cry Over You; I'll Look Around; The Blues Are Brewin,' Guilty; Deep Song; There Is No Greater Love; Easy Living; Solitude; Weep No More; Girls Were Made to Take Care of Boys. CD3: I Loves You Porgy; My Man; Tain't Nobody's Business If I Do; Baby Get Lost; Keeps On A-Rainin'; Them There Eyes; Do Your Duty; Gimme A Pigfoot (And a Bottle of Beer; You Can't Lose A Broken Heart; My Sweet Hunk O'Trash; Now or Never; You're My Thrill; Crazy He Calls Me; Please Tell Me Now; Somebody's On My Mind; God Bless the Child; This Is Heaven to Me.
Personnel
Billie Holiday The Complete Commodore Recordings Rar Collection
Billie Holiday: vocals; Buck Clayton: trumpet; Tiny Grimes: guitar; Bobby Hackett: trumpet; Eddie Heywood: piano, arranger; Budd Johnson: tenor sax; Mundell Lowe: guitar; Specs Powell: drums; Tab Smith: alto sax; Lester Young: tenor sax; Eddie Barefield: clarinet and baritone sax; Billy Butterfield: trumpet; Cozy Cole: drums; Bob Haggart: bass, arranger; Horace Henderson: piano; Al Klink: alto sax; Carl Kress: guitar; Bernie Leighton: piano; Johnny Mince:alto sax; Sy Oliver: arranger; Frankie Newton: trumpet; George Wettling: drums; Bob Bain: guitar; Stan Webb: baritone sax; George Duvivier: bass; Louis Armstrong: vocals; Everett Barksdale: guitar; Tom Barney, Joe Benjamin: bass; Emmett Berry: trumpet; Denzil Best: drums; Larry Binyon: tenor sax; Wallace Bishop: drums; Johnny Blowers: Toots Camarata: guitar; Toots Camarata; arranger; Russ Case: trumpet; Big Sid Catlett: drums; Henderson Chambers: trombone; Doc Cheatham: trumpet; Kenny Clarke: drums; Shad Collins: trumpet; Sid Cooper: alto sax; Jimmy Crawford: drums; Lem Davis: alto sax; Vic Dickenson: trombone; Bob Dorsey: tenor sax; George Dorsey: alto sax; Eddie Dougherty: Nick Fatool: drums; Joe Guy: trumpet; Billy Kyle: piano; Jack Lesberg: bass; Kelly Martin: drums; George Matthews: trombone; Toots Mondello: alto sax; Sol Moore: baritone sax; Tony Mottola: guitar; Jimmy Nottingham: trumpet; Rudy Powell: alto sax; Bernie Privin: trumpet; Hymie Schertzer: alto sax; Jimmy Shirley: guitar; Bill Stegmeyer: clarinet, alto sax; Bobby Tucker: piano; Dick Vance: trumpet; Teddy Walters: guitar; Dicky Wells: trombone; Sonny White: piano; John Williams: bass; Shadow Wilson: drums; Milt Yaner: clarinet, alto sax; Paul Ricci, Kenneth Hollon: tenor sax; Sammy Benskin: piano; Tony Faso: trumpet; John Fulton: clarinet, flute: tenor sax; Bernard Kaufman: tenor sax; Charlie LaVere: piano; Joe Springer: piano; George Stevenson: trombone; Gordon Jenkins & His Orchestra (Strings); Billy Taylor: Jr.: bass; Daniel Perry: guitar; Rostelle Reese: trumpet; Armand Camgros: tenor sax; Jimmy McLin: guitar; Haig Stephens: bass; Stanley Payne: tenor sax; Jack Cressey: alto sax; Dick 'Dent' Eckles: flute, tenor sax; Pat Nizza: tenor sax; Art Drellinger, Freddie Williams: tenor sax; Gordon Griffith: trumpet; John Simmons: bass, director; string sections; Gordon Jenkins Singers: background vocals.